For the first time in its history, Queens Hospital Center held a public Chanukah menorah lighting inside the hospital, drawing a packed crowd of staff, administrators, community leaders, clergy, and elected officials. The gathering was notable not for ceremony, but for context: a public institution making visible space for Jewish life at a moment when many feel increasingly unseen.

This past Motza’ei Shabbos, families gathered in the gymnasium of The Queens Cheder in Jamaica Estates, where an evening of inspiration was about to unfold. Behind the head table hung a banner featuring the Cheder’s emblem and imagery of the campus, grounding the event in the legacy of what had been built—and what continues to grow.

The Chanukah program held at New York County Surrogate’s Courthouse in Manhattan last Tuesday marked the arrival of a powerful symbol that has traveled from Israel to New York over the past year. At the center of the evening was the Chanukiah of Hope, created by Israeli artist Eli Gross. The menorah is constructed from fragments of missiles and projectiles fired at Israel, repurposed into a ritual object that reflects Jewish resilience and continuity in the face of war.